CALENDAR
1.03–25.03
2026
2026
Sirius Spring Music Festival
23.02–9.05
2026
2026
COMMEMORATIVE CONCERTS
15.07–14.08
2026
2026
SIRIUS Big summer music Festival
The "Sirius" Concert Center is a landmark cultural venue in Russia, a stage for large-scale festivals and performances by the GREATEST artists.
The "Sirius" Concert Center is a creative laboratory for experimentation and a workshop for classical art.
The "Sirius" Concert Center is a creative laboratory for experimentation and a workshop for classical art.
Talent and Success Educational Foundation CEO,
Sirius Federal Territory Council Chairwoman
Sirius Federal Territory Council Chairwoman
GREETING SPEECH by
E. V. SHMELEVA,
E. V. SHMELEVA,
THE GREAT MISSION
The organic nature of the Concert Center’s forms and volumes echoes the eco-friendly landscape of this unique territory. The architecture of the center is a metaphor for the silhouette of mountains and the sea, the high and the deep, a dialogue between art and nature
ARCHITECTURE
UNIQUE
The tempo and rhythm are expressed not only in the geometry of architectural forms but also in the acoustics. All spaces within the Concert Center are designed to serve a high musical culture.
The main stage, with a hall seating 1,200, features a unique, seamless orchestra shell and a transformable stage, ideal for symphony orchestra performances, festivals, and theatrical productions.
THE CHAMBER HALL, WITH 500 SEATS, IS DESIGNED FOR CONCERTS BY SMALL ENSEMBLES, CHAMBER GROUPS, AND SOLOISTS.
The center was designed and constructed following the recommendations of an international team of acoustical engineers, which includes the legendary Japanese engineer Yasuhisa Toyota, the mastermind behind the acoustic designs of the world’s finest concert venues.
The main stage, with a hall seating 1,200, features a unique, seamless orchestra shell and a transformable stage, ideal for symphony orchestra performances, festivals, and theatrical productions.
THE CHAMBER HALL, WITH 500 SEATS, IS DESIGNED FOR CONCERTS BY SMALL ENSEMBLES, CHAMBER GROUPS, AND SOLOISTS.
The center was designed and constructed following the recommendations of an international team of acoustical engineers, which includes the legendary Japanese engineer Yasuhisa Toyota, the mastermind behind the acoustic designs of the world’s finest concert venues.
ACOUSTICS
impeccable
(Mon-Fri: 9AM – 6PM)
news
Additional information
contacts
THE NATURE OF ART
2026 © ALL RIGHTS RESERVED
"Sirius Big summer music Festival"
FEATURED IN THE PROGRAM:
Part 1
Dmitri Shostakovich (1906−1975). Violin Concerto No. 2 in C-sharp minor, 1967, Op. 129
Soloist — Merited Artist of Russia Pavel Milyukov (violin)
Part 2
Sergei Rachmaninoff (1873−1943). Symphony No. 2 in E minor, 1907, Op. 27
Age category 6+
Part 1
Dmitri Shostakovich (1906−1975). Violin Concerto No. 2 in C-sharp minor, 1967, Op. 129
- Moderato — Piu mosso — Allegretto — Piu mosso
- Adagio
- Adagio — Allegro
Soloist — Merited Artist of Russia Pavel Milyukov (violin)
Part 2
Sergei Rachmaninoff (1873−1943). Symphony No. 2 in E minor, 1907, Op. 27
- Largo — Allegro moderato (ми минор)
- Allegro molto (ля минор)
- Adagio (ля мажор)
- Allegro vivace (ми мажор)
Age category 6+
MAIN STAGE
SIRIUS BIG SUMMER INTERNATIONAL MUSIC FESTIVAL OPENING
July
7:00
pm
pm
15
"Sirius Big summer music Festival"
FEATURED IN THE PROGRAM:
Pyotr Ilyich Tchaikovsky (1840−1893). "Romeo and Juliet", Ouverture-Fantasy for Orchestra based on eponymous play by Shakespeare, 1869/1870/1880, TH 42
Andante non troppo quasi moderato — Allegro — Molto meno mosso — Allegro giusto — Moderato assai
Pyotr Ilyich Tchaikovsky. "Introduction", "Panorama" and "Waltz" musicfrom 1890 ballet "Spyashchaya Krasavitsa" (The Sleeping Beauty), Op. 66
Pyotr Ilyich Tchaikovsky. Suite of music from 1877 ballet "Lebedinoye Ozero" (Swan Lake), Op. 20a
Aram Khachaturian (1903−1978). "Adagio of Spartacus and Phrygia", "Variation of Aegina" and "Bacchanalia" from 1956, 1958 and 1968 ballet "Spartak" (Spartacus), Op.82
Aram Khachaturian. 1944 Waltz from the incidental music to Mikhail Lermontov’s 1835 "Masquerade", Op.48a
Aram Khachaturian. "Lezginka" from 1941 and 1957 "Gayane" ballet music, Op.50
Age category 6+
Pyotr Ilyich Tchaikovsky (1840−1893). "Romeo and Juliet", Ouverture-Fantasy for Orchestra based on eponymous play by Shakespeare, 1869/1870/1880, TH 42
Andante non troppo quasi moderato — Allegro — Molto meno mosso — Allegro giusto — Moderato assai
Pyotr Ilyich Tchaikovsky. "Introduction", "Panorama" and "Waltz" musicfrom 1890 ballet "Spyashchaya Krasavitsa" (The Sleeping Beauty), Op. 66
Pyotr Ilyich Tchaikovsky. Suite of music from 1877 ballet "Lebedinoye Ozero" (Swan Lake), Op. 20a
Aram Khachaturian (1903−1978). "Adagio of Spartacus and Phrygia", "Variation of Aegina" and "Bacchanalia" from 1956, 1958 and 1968 ballet "Spartak" (Spartacus), Op.82
Aram Khachaturian. 1944 Waltz from the incidental music to Mikhail Lermontov’s 1835 "Masquerade", Op.48a
Aram Khachaturian. "Lezginka" from 1941 and 1957 "Gayane" ballet music, Op.50
Age category 6+
Open Stage of the Medalnaya Square
"BALLET SYMPHONY"
July
8:00
pm
pm
16
"commemorative concerts"
The Song and Dance Ensemble of the Black Sea Fleet of the Russian Federation
The artistic director is Alexey Kostyanikov, Honored Artist of the Republic of Crimea.
FEATURED IN THE PROGRAM:
Choruses from 1873 "Boris Godunov" opera by Modest Mussorgsky (1839−1881), 1887 "Otello" opera by Giuseppe Verdi (1813−1901), Military-Patriotic genre song and dance classics.
Age category 6+
The artistic director is Alexey Kostyanikov, Honored Artist of the Republic of Crimea.
FEATURED IN THE PROGRAM:
Choruses from 1873 "Boris Godunov" opera by Modest Mussorgsky (1839−1881), 1887 "Otello" opera by Giuseppe Verdi (1813−1901), Military-Patriotic genre song and dance classics.
Age category 6+
MAIN STAGE
DEFENDERS OF THE FATHERLAND DAY CONCERT
February
7:00
pm
pm
23
"Commemorative Concerts"
Saint Petersburg State Academic Capella Symphony Orchestra
Soloist — Merited Artist of Russia Miroslav Kultyshev (piano)
Conductor — People’s Artist of Russia Aleksandr Chernushenko
Age category 6+
Soloist — Merited Artist of Russia Miroslav Kultyshev (piano)
Conductor — People’s Artist of Russia Aleksandr Chernushenko
Age category 6+
FEATURED IN THE PROGRAM:
Part 1
Pyotr Ilyich Tchaikovsky (1840−1893). Symphony No. 5 in E minor, Or. 64 (1888)
Part 2
Pyotr Ilyich Tchaikovsky (1840−1893). Piano Concerto No. 1 in B-flat minor, Op. s23 (1874−75/1876−79/1888−90)
Performed by the Saint Petersburg Music House soloist, Merited Artist of Russia Miroslav Kultyshev (piano)
Part 1
Pyotr Ilyich Tchaikovsky (1840−1893). Symphony No. 5 in E minor, Or. 64 (1888)
- Andante — Allegro con anima
- Andante cantabile con alcuna licenza
- Valse. Allegro moderato
- Finale. Andante maestoso — Allegro vivace
Part 2
Pyotr Ilyich Tchaikovsky (1840−1893). Piano Concerto No. 1 in B-flat minor, Op. s23 (1874−75/1876−79/1888−90)
Performed by the Saint Petersburg Music House soloist, Merited Artist of Russia Miroslav Kultyshev (piano)
MAIN STAGE
PYOTR ILYICH TCHAIKOVSKY BIRTHDAY COMMEMORATION CONCERT
May
7:00
pm
pm
7
"Sirius spring music festival"
The Sirius Spring Music Festival will open with a duet of leading Russian pianists. Nikolai Lugansky and Vadim Rudenko will present music by composers from the turn of the 19th and 20th centuries.
All three composers featured in the program were virtuoso pianists, prominent representatives of the era when pianism reached its apogee. Their work is marked by vibrant melody, rich harmony, and a deep connection with Russian (Rachmaninoff, Medtner) and French (Ravel) musical traditions, as well as friendship and correspondence (especially between Rachmaninoff and Medtner).
As representatives of the same era, they sensed the pulse of the times, but Rachmaninoff and Medtner as the "last romantics," and Ravel as an innovator and impressionist.
Age category 6+
All three composers featured in the program were virtuoso pianists, prominent representatives of the era when pianism reached its apogee. Their work is marked by vibrant melody, rich harmony, and a deep connection with Russian (Rachmaninoff, Medtner) and French (Ravel) musical traditions, as well as friendship and correspondence (especially between Rachmaninoff and Medtner).
As representatives of the same era, they sensed the pulse of the times, but Rachmaninoff and Medtner as the "last romantics," and Ravel as an innovator and impressionist.
Age category 6+
CHAMBER HALL
SIRIUS SPRING MUSIC FESTIVAL OPENING
March
6:00
pm
pm
1
"Sirius spring music festival"
The Russian National Youth Symphony Orchestra will once again present a series of concerts at the Sirius Concert Center in the 2026 season.
The orchestra will feature Igor Smaliy (clarinet), winner of international competitions and Grand Prix at the 5th All-Russian Young Musicians' Competition "Sozvezdie," and soloist of the St. Petersburg House of Music, and Bogdan Efremov (cello), winner of international competitions and soloist of the St. Petersburg House of Music.
Conductor: Fyodor Beznosikov
Age category: 6+
The orchestra will feature Igor Smaliy (clarinet), winner of international competitions and Grand Prix at the 5th All-Russian Young Musicians' Competition "Sozvezdie," and soloist of the St. Petersburg House of Music, and Bogdan Efremov (cello), winner of international competitions and soloist of the St. Petersburg House of Music.
Conductor: Fyodor Beznosikov
Age category: 6+
MAIN STAGE
RUSSIAN NATIONAL YOUTH SYMPHONY ORCHESTRA AND TEAM RUSSIA MUSIC
March
7:00
pm
pm
6
"Sirius spring music festival"
Russian National Youth Symphony Orchestra will present International Women’s Day dedicated festive commemoration program
Soloist — Merited Artist of Russia Pavel Milyukov (violin)
Conductor — Fedor Beznosikov
Age category 6+
Soloist — Merited Artist of Russia Pavel Milyukov (violin)
Conductor — Fedor Beznosikov
Age category 6+
FEATURED IN THE PROGRAM:
Part 1
Pyotr Ilyich Tchaikovsky (1840−1893). The Violin Concerto in D major, 1878, Op. 35
Part 2
Richard Strauss (1864−1949). Orchestral Suite from 1910 opera "Der Rosenkavalier" (The Knight of the Rose, Op. 59
Richard Strauss. 1895 tone poem "Till Eulenspiegels lustige Streiche" (Till Eulenspiegel’s Merry Pranks), Op. 28
Part 1
Pyotr Ilyich Tchaikovsky (1840−1893). The Violin Concerto in D major, 1878, Op. 35
- Allegro moderato
- Canzonetta: Andante
- Finale: Vivacissimo
Part 2
Richard Strauss (1864−1949). Orchestral Suite from 1910 opera "Der Rosenkavalier" (The Knight of the Rose, Op. 59
Richard Strauss. 1895 tone poem "Till Eulenspiegels lustige Streiche" (Till Eulenspiegel’s Merry Pranks), Op. 28
MAIN STAGE
INTERNATIONAL WOMEN’S DAY CONCERT
March
6:00
pm
pm
8
"Sirius spring music festival"
How do sound waves reach the brain, and what happens to them within us? Why can music change our mood, inspire heroism, or create a sense of comfort? Can the brain distinguish music from noise? How can we cultivate our inner ear and learn to hear music in silence? Why do human auditory preferences change, and does objective beauty exist in music?
Despite the efforts of thousands of researchers—from ancient times to modern times—the relationship between humans and music remains a field full of mysteries. In his lecture, "The Art of Listening: An Introduction," Yaroslav Timofeev will discuss the answers that have already been found, share his hypotheses, and formulate questions for the distant future.
Age category 6+
Despite the efforts of thousands of researchers—from ancient times to modern times—the relationship between humans and music remains a field full of mysteries. In his lecture, "The Art of Listening: An Introduction," Yaroslav Timofeev will discuss the answers that have already been found, share his hypotheses, and formulate questions for the distant future.
Age category 6+
CHAMBER HALL
Music Lectures. The Art of Listening. Introduction
March
4:00
pm
pm
10
"Sirius spring music festival"
In almost any European capital, only a cathedral or palace can compare in architectural grandeur to an opera house. For centuries, opera has been the highest artistic genre and the center of cultural life. And even now, in the age of digital entertainment, it remains irreplaceable and captivating, maintaining its status as the most elite of the arts.
Yaroslav Timofeev’s lecture aims to introduce the world of opera to neophytes and help those who can no longer imagine their life without the theater to delve deeper into it.
How can one hear the essence of an opera score? How can one understand the director’s intentions? How can one distinguish a first-class performance from a mediocre one? How can one unite one’s ears and eyes into a single sensory organ? And, most importantly, how can one experience the joy of immersing oneself in the world of opera?
Age category 6+
Yaroslav Timofeev’s lecture aims to introduce the world of opera to neophytes and help those who can no longer imagine their life without the theater to delve deeper into it.
How can one hear the essence of an opera score? How can one understand the director’s intentions? How can one distinguish a first-class performance from a mediocre one? How can one unite one’s ears and eyes into a single sensory organ? And, most importantly, how can one experience the joy of immersing oneself in the world of opera?
Age category 6+
CHAMBER HALL
"How to love opera?"
March
4:00
pm
pm
11
"Sirius spring music festival"
"Mlada" Academic Choir is a famous highly professional young musicians team established 35 years ago, laureates of International competitions and festivals, "Bitva horov" (Battle of the Choirs) All-Russian competition winners, "Nu-ka, vse vmeste! Horom!" (All Together Now! In Chorus!) "Russia 1" TV-channel Grand Show finalists, cultural brand of Perm City and wider Permsky Krai Region. Artistic Director — Merited Art Worker of Russia Olga Vyguzova.
"From Folk to Jazz" is a "base" concert program showcasing team’s wide range of creative capabilities — performing music of all styles, genres and directions. It’s more than just the title of the program, but also the principle vector of choir’s development — mastery in stylistically diverse vocal techniques beginning with Core Academic Voice to different specific modes (Folk Singing, Contemporary and Jazz vocals, Scat, Throat singing, Yodeling etc.)
The concert will feature a wide range of Russian and international music, including opera classics, choral scores by contemporary composers, folk music arrangements, Soviet song classics of the 20th century, and jazz compositions. All pieces are performed a cappella, in exclusive choral arrangements.
"From Folk to Jazz" program’s dramatic structure is modular, with each of the 4 main blocks representing a specific musical genre.
I. Folk. A collection of folklore based choral works showcasing the value of folk art as a source for contemporary music composition and performance, also in academic style.
II. Classical. A contemporary view of the classical music helping to bring high-style examples closer to today’s audiences. A cappella choral covers promote the idea of blending vocal and instrumental sounds within a "single performance".
III. Songs. A selection of the finest examples of the 20th century Russia-specific genre song classics. The performers' mission is to be preserving and transmitting the artistic values embedded in each of these musical and poetic gems.
IV. Jazz. Choral performance of jazz music is not a traditional jazz process. However it opens the doors to a great generic diversity within: traditional jazz compositions, examples of Russian Dixieland, high classics and other variations in respectively stylized arrangements.
Age category 6+
"From Folk to Jazz" is a "base" concert program showcasing team’s wide range of creative capabilities — performing music of all styles, genres and directions. It’s more than just the title of the program, but also the principle vector of choir’s development — mastery in stylistically diverse vocal techniques beginning with Core Academic Voice to different specific modes (Folk Singing, Contemporary and Jazz vocals, Scat, Throat singing, Yodeling etc.)
The concert will feature a wide range of Russian and international music, including opera classics, choral scores by contemporary composers, folk music arrangements, Soviet song classics of the 20th century, and jazz compositions. All pieces are performed a cappella, in exclusive choral arrangements.
"From Folk to Jazz" program’s dramatic structure is modular, with each of the 4 main blocks representing a specific musical genre.
I. Folk. A collection of folklore based choral works showcasing the value of folk art as a source for contemporary music composition and performance, also in academic style.
II. Classical. A contemporary view of the classical music helping to bring high-style examples closer to today’s audiences. A cappella choral covers promote the idea of blending vocal and instrumental sounds within a "single performance".
III. Songs. A selection of the finest examples of the 20th century Russia-specific genre song classics. The performers' mission is to be preserving and transmitting the artistic values embedded in each of these musical and poetic gems.
IV. Jazz. Choral performance of jazz music is not a traditional jazz process. However it opens the doors to a great generic diversity within: traditional jazz compositions, examples of Russian Dixieland, high classics and other variations in respectively stylized arrangements.
Age category 6+
FEATURED IN THE PROGRAM:
"Pod Rakitoy" (Beneath the Willow Tree) Russian Folk Song [Arr. by Sergei Vyguzov]
Lev Gorbunov (b. 1965). "Troitskaya" (Trinity Sunday Song), "Zaklichka" (Traditional Slavic Incantation) from the "Russian Calendar" Choral Cycle (1994−96)
"Ay, bylbylym" (Oh, My Nightingale) Tatar Folk Song [Arr. by Olga and Yakov Saravaysky]
"Balkan Patterns": A Medley of Mediterranean Folklore [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov (1844−1908). "Pesnya Indiyskogo Gostya" (Song of the Indian Guest) from 1896 opera "Sadko" [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov. "Polyot Shmelya" (Flight of the Bumblebee) from 1900 opera "Skazka O Tsare Saltane" (The Tale of Tsar Saltan), [Arr. by Sergei Vyguzov]
Pyotr Ilyich Tchaikovsky (1840−1893). "Tanets Fei Drazhe" (Dance of the Sugar Plum Fairy) from 1892 ballet "Shchelkunchik" (The Nutcraker), [Arr. by Sergei Vyguzov]
Leonid Afanasyev (1921−1995), lyrics by Igor Shaferan (1932−1994). "Gliazhu v Ozera Siniye" (I Gaze into the Lakes of Blue) from 1971 movie "Teni Ischezayut v Polden'" (Shadows Disappear at Noon), [Arr. by Sergei Vyguzov]
Mikael Tariverdiev (1931−1996), lyrics by Robert Rozhdestvensky (1932−1994). "Pesnya o Dalekoy Rodine" (Song of the Distant Homeland) from 1973 movie "Semnadtsat' Mgnoveniy Vesny" (Seventeen Moments of Spring), [Arr. by Olga and Yakov Saravaysky]
Grigory Ponomarenko (1921−1996), lyrics by Sergei Yesenin (1895−1925). "Ne zhaleyu, ne zovu, ne plachu" (I Regret Nothing, I Do Not Call, I Do Not Weep), 1921 poetry, 1964 music, [Arr. by Sergei Vyguzov]
Andrei Petrov (1930−2006), lyrics by Eldar Ryazanov (1927−2015). "U Prirody Net Plokhoy Pogody" (Nature Has No Bad Weather) from 1977 movie "Sluzhebny Roman" (Office Romance), [Arr. by Olga and Yakov Saravaysky]
Jerome Kern (1885−1945), lyrics by Oscar Hammerstein II (1895−1960). "All the things you are" from 1939 movie "Very Warm for May", [Arr. by Ward Swingle]
Astor Piazzolla (1921−1992). "Libertango" (1974), [Arr. by Kineret Erez)
Nikolai Minkh (1912−1982), lyrics by Аnatoly D`Aktil (1890−1942). "Parokhod" (The Steamboat, 1939) famous from 1940 musical film "Kontsert na Ekrane" (Concert on the Screen), [Arr. by Olga and Yakov Saravaysky]
Yevgeny Krylatov (1934−2019), lyrics by Yuri Yakovlev (1922−1995). "Kolybelnaya Medveditsy" (She-bear's Lullaby) from 1969 animated film "Umka", [Arr. by Sergei Vyguzov]
Yevgeny Krylatov, lyrics by Yuri Entin (b.1935)."Pesenka o Lete" (Song About Summer) from 1969 animated film "Ded Moroz i Leto" (Father Frost and Summer), [Arr. by Olga and Yakov Saravaysky]
David Tukhmanov (b. 1940), lyrics by Vladimir Kharitonov (1920−1981). "Kak Prekrasen Etot Mir" (How Beautiful This World Is), 1972, [Arr. by Sergei Vyguzov]
"Pod Rakitoy" (Beneath the Willow Tree) Russian Folk Song [Arr. by Sergei Vyguzov]
Lev Gorbunov (b. 1965). "Troitskaya" (Trinity Sunday Song), "Zaklichka" (Traditional Slavic Incantation) from the "Russian Calendar" Choral Cycle (1994−96)
"Ay, bylbylym" (Oh, My Nightingale) Tatar Folk Song [Arr. by Olga and Yakov Saravaysky]
"Balkan Patterns": A Medley of Mediterranean Folklore [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov (1844−1908). "Pesnya Indiyskogo Gostya" (Song of the Indian Guest) from 1896 opera "Sadko" [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov. "Polyot Shmelya" (Flight of the Bumblebee) from 1900 opera "Skazka O Tsare Saltane" (The Tale of Tsar Saltan), [Arr. by Sergei Vyguzov]
Pyotr Ilyich Tchaikovsky (1840−1893). "Tanets Fei Drazhe" (Dance of the Sugar Plum Fairy) from 1892 ballet "Shchelkunchik" (The Nutcraker), [Arr. by Sergei Vyguzov]
Leonid Afanasyev (1921−1995), lyrics by Igor Shaferan (1932−1994). "Gliazhu v Ozera Siniye" (I Gaze into the Lakes of Blue) from 1971 movie "Teni Ischezayut v Polden'" (Shadows Disappear at Noon), [Arr. by Sergei Vyguzov]
Mikael Tariverdiev (1931−1996), lyrics by Robert Rozhdestvensky (1932−1994). "Pesnya o Dalekoy Rodine" (Song of the Distant Homeland) from 1973 movie "Semnadtsat' Mgnoveniy Vesny" (Seventeen Moments of Spring), [Arr. by Olga and Yakov Saravaysky]
Grigory Ponomarenko (1921−1996), lyrics by Sergei Yesenin (1895−1925). "Ne zhaleyu, ne zovu, ne plachu" (I Regret Nothing, I Do Not Call, I Do Not Weep), 1921 poetry, 1964 music, [Arr. by Sergei Vyguzov]
Andrei Petrov (1930−2006), lyrics by Eldar Ryazanov (1927−2015). "U Prirody Net Plokhoy Pogody" (Nature Has No Bad Weather) from 1977 movie "Sluzhebny Roman" (Office Romance), [Arr. by Olga and Yakov Saravaysky]
Jerome Kern (1885−1945), lyrics by Oscar Hammerstein II (1895−1960). "All the things you are" from 1939 movie "Very Warm for May", [Arr. by Ward Swingle]
Astor Piazzolla (1921−1992). "Libertango" (1974), [Arr. by Kineret Erez)
Nikolai Minkh (1912−1982), lyrics by Аnatoly D`Aktil (1890−1942). "Parokhod" (The Steamboat, 1939) famous from 1940 musical film "Kontsert na Ekrane" (Concert on the Screen), [Arr. by Olga and Yakov Saravaysky]
Yevgeny Krylatov (1934−2019), lyrics by Yuri Yakovlev (1922−1995). "Kolybelnaya Medveditsy" (She-bear's Lullaby) from 1969 animated film "Umka", [Arr. by Sergei Vyguzov]
Yevgeny Krylatov, lyrics by Yuri Entin (b.1935)."Pesenka o Lete" (Song About Summer) from 1969 animated film "Ded Moroz i Leto" (Father Frost and Summer), [Arr. by Olga and Yakov Saravaysky]
David Tukhmanov (b. 1940), lyrics by Vladimir Kharitonov (1920−1981). "Kak Prekrasen Etot Mir" (How Beautiful This World Is), 1972, [Arr. by Sergei Vyguzov]
CHAMBER HALL
"FROM FOLK TO JAZZ" CHORAL MUSIC CONCERT
March
6:00
pm
pm
14
"Sirius spring music festival"
"Mlada" Academic Choir is a famous highly professional young musicians team established 35 years ago, laureates of International competitions and festivals, "Bitva horov" (Battle of the Choirs) All-Russian competition winners, "Nu-ka, vse vmeste! Horom!" (All Together Now! In Chorus!) "Russia 1" TV-channel Grand Show finalists, cultural brand of Perm City and wider Permsky Krai Region. Artistic Director — Merited Art Worker of Russia Olga Vyguzova.
"Dialogues with the Classics" is a musical offering to the great geniuses of the past. A contemporary view of the classical music helping to bring high-style examples closer to today's audiences. A cappella choral covers promote the idea of blending vocal and instrumental sounds within a "single performance".
The program focuses on the creative heritage of the "Golden Age of Russian Music", covering works by Mikhail Glinka, Pyotr Tchaikovsky, the composers of "The Mighty Handful". "We Truly Love Opera" composition is especially significant, serving as sort of a guide into the 19th century Russian opera world.
The program also features pieces from Russian spiritual music and popular miniatures by domestic and international composers.
Age category 6+
"Dialogues with the Classics" is a musical offering to the great geniuses of the past. A contemporary view of the classical music helping to bring high-style examples closer to today's audiences. A cappella choral covers promote the idea of blending vocal and instrumental sounds within a "single performance".
The program focuses on the creative heritage of the "Golden Age of Russian Music", covering works by Mikhail Glinka, Pyotr Tchaikovsky, the composers of "The Mighty Handful". "We Truly Love Opera" composition is especially significant, serving as sort of a guide into the 19th century Russian opera world.
The program also features pieces from Russian spiritual music and popular miniatures by domestic and international composers.
Age category 6+
FEATURED IN THE PROGRAM:
Mily Balakirev (1837−1910). "Svishe Prorotsi" (The Prophets from on High, 1880s-1890s)
Dmitry Bortniansky (1751−1825). Choral Concerto No. 32 (for Psalm 39:40 — Lord, Make Me to Know Mine End…, 1780s-1790s)
Pyotr Ilyich Tchaikovsky (1840−1893), Russian lyrics by Aleksey Pleshcheyev (1825−1893) from "Roses and Thorns" by Richard Henry Stoddard (1825−1903). "Legenda" (The Legend) from 1883 "16 Pesen dlya Detey" (Sixteen Songs for Children), Op. 54.
"We Truly Love Opera" Medley, [Arr. by Olga and Yakov Saravaysky]
Pyotr Ilyich Tchaikovsky. "Osennyaya Pesnya" (Autumn Song) from 1876 "Vremena Goda" (The Seasons) cycle, Op. 37Bis, [Arr. by Sergei Vyguzov]
Pyotr Ilyich Tchaikovsky. "Tanets Fei Drazhe" (Dance of the Sugar Plum Fairy) from 1892 ballet "Shchelkunchik" (The Nutcraker), [Arr. by Sergei Vyguzov]
Edvard Grieg (1843−1907). "Anitras Dans" (Anitra's dance) from 1876 "Peer Gynt" Play Symphonic Music, Suite No. 1, Op. 23, [Arr. by Sergei Vyguzov]
Pyotr Ilyich Tchaikovsky. "Aria Knyaza Yeletskogo" (Prince Yeletsky’s Aria) from 1890 opera "Pikovaya Dama" (The Queen of Spades), Op. 68, [Arr. by Olga and Yakov Saravaysky]
Giuseppe Verdi (1813−1901). "La Donna è Mobile" (The Duke’s Aria) from 1851 opera "Rigoletto", [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov (1844−1908). "Pesnya Indiyskogo Gostya" (Song of the Indian Guest) from 1896 opera "Sadko" [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov. "Polyot Shmelya" (Flight of the Bumblebee) from 1900 opera "Skazka O Tsare Saltane" (The Tale of Tsar Saltan), [Arr. by Sergei Vyguzov]
Aram Khachaturian (1903−1978). "Tanets s Sablyami" (Sabre Dance) from 1942 ballet "Gayane", [Arr. by Olga and Yakov Saravaysky]
Johann Sebastian Bach (1685−1750). "Little" Organ Fugue in G minor, BWV 578, 1703−07 [Arr. by Ward Swingle]
John Lennon (1940−1980), Paul McCartney (b. 1942). "Yesterday" (1965), [Arr. by Ben Parry]
Yevgeny Krylatov (1934−2019), lyrics by Yuri Yakovlev (1922−1995). "Kolybelnaya Medveditsy" (She-bear's Lullaby) from 1969 animated film "Umka", [Arr. by Sergei Vyguzov]
Yevgeny Krylatov, lyrics by Yuri Entin (b.1935)."Pesenka o Lete" (Song About Summer) from 1969 animated film "Ded Moroz i Leto" (Father Frost and Summer), [Arr. by Olga and Yakov Saravaysky]
David Tukhmanov (b. 1940), lyrics by Vladimir Kharitonov (1920−1981). "Kak Prekrasen Etot Mir" (How Beautiful This World Is), 1972, [Arr. by Sergei Vyguzov]
Mily Balakirev (1837−1910). "Svishe Prorotsi" (The Prophets from on High, 1880s-1890s)
Dmitry Bortniansky (1751−1825). Choral Concerto No. 32 (for Psalm 39:40 — Lord, Make Me to Know Mine End…, 1780s-1790s)
Pyotr Ilyich Tchaikovsky (1840−1893), Russian lyrics by Aleksey Pleshcheyev (1825−1893) from "Roses and Thorns" by Richard Henry Stoddard (1825−1903). "Legenda" (The Legend) from 1883 "16 Pesen dlya Detey" (Sixteen Songs for Children), Op. 54.
"We Truly Love Opera" Medley, [Arr. by Olga and Yakov Saravaysky]
Pyotr Ilyich Tchaikovsky. "Osennyaya Pesnya" (Autumn Song) from 1876 "Vremena Goda" (The Seasons) cycle, Op. 37Bis, [Arr. by Sergei Vyguzov]
Pyotr Ilyich Tchaikovsky. "Tanets Fei Drazhe" (Dance of the Sugar Plum Fairy) from 1892 ballet "Shchelkunchik" (The Nutcraker), [Arr. by Sergei Vyguzov]
Edvard Grieg (1843−1907). "Anitras Dans" (Anitra's dance) from 1876 "Peer Gynt" Play Symphonic Music, Suite No. 1, Op. 23, [Arr. by Sergei Vyguzov]
Pyotr Ilyich Tchaikovsky. "Aria Knyaza Yeletskogo" (Prince Yeletsky’s Aria) from 1890 opera "Pikovaya Dama" (The Queen of Spades), Op. 68, [Arr. by Olga and Yakov Saravaysky]
Giuseppe Verdi (1813−1901). "La Donna è Mobile" (The Duke’s Aria) from 1851 opera "Rigoletto", [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov (1844−1908). "Pesnya Indiyskogo Gostya" (Song of the Indian Guest) from 1896 opera "Sadko" [Arr. by Olga and Yakov Saravaysky]
Nikolai Rimsky-Korsakov. "Polyot Shmelya" (Flight of the Bumblebee) from 1900 opera "Skazka O Tsare Saltane" (The Tale of Tsar Saltan), [Arr. by Sergei Vyguzov]
Aram Khachaturian (1903−1978). "Tanets s Sablyami" (Sabre Dance) from 1942 ballet "Gayane", [Arr. by Olga and Yakov Saravaysky]
Johann Sebastian Bach (1685−1750). "Little" Organ Fugue in G minor, BWV 578, 1703−07 [Arr. by Ward Swingle]
John Lennon (1940−1980), Paul McCartney (b. 1942). "Yesterday" (1965), [Arr. by Ben Parry]
Yevgeny Krylatov (1934−2019), lyrics by Yuri Yakovlev (1922−1995). "Kolybelnaya Medveditsy" (She-bear's Lullaby) from 1969 animated film "Umka", [Arr. by Sergei Vyguzov]
Yevgeny Krylatov, lyrics by Yuri Entin (b.1935)."Pesenka o Lete" (Song About Summer) from 1969 animated film "Ded Moroz i Leto" (Father Frost and Summer), [Arr. by Olga and Yakov Saravaysky]
David Tukhmanov (b. 1940), lyrics by Vladimir Kharitonov (1920−1981). "Kak Prekrasen Etot Mir" (How Beautiful This World Is), 1972, [Arr. by Sergei Vyguzov]
CHAMBER HALL
"DIALOGUES WITH THE CLASSICS". CHORAL MUSIC CONCERT
March
6:00
pm
pm
15
"Sirius spring music festival"
The Omsk Academic Symphony Orchestra is one of Siberia’s largest orchestras boasting a history that spans more than half a century. The Orchestra had previously won 1984 All-Russia Symphony Orchestra Review Competition and 2021 "Noty I Kvoty" (The Musical Notes and the Quotas) Russian Union of Composers' Program in Symphony Orchestra or Choir Nominations.
It was established in 1966 on the initiative of Semyon Kogan, who headed its team for over 10 years. The Orchestra was later headed by Viktor Titz (from 1978), Yevgeny Shestakov (1992−2004), Yevgeny Samoylov (2005−2009). It was awarded the Academic title in 1996. Since 2009 it’s being led by the Omsk Oblast Merited Worker of Culture Dmitry Vasilyev.
The team is never seeking an easy path in art — it advances boldly, conquering the new creative peaks, discovering previously uncharted Music Worlds, drawing youth attention to the Symphony Music.
The program offered at Sirius will allow the listeners to eagerly dive into the world of Classical Arts, recognizing orchestra performed famous melodies from the very first notes.
Age category 6+
It was established in 1966 on the initiative of Semyon Kogan, who headed its team for over 10 years. The Orchestra was later headed by Viktor Titz (from 1978), Yevgeny Shestakov (1992−2004), Yevgeny Samoylov (2005−2009). It was awarded the Academic title in 1996. Since 2009 it’s being led by the Omsk Oblast Merited Worker of Culture Dmitry Vasilyev.
The team is never seeking an easy path in art — it advances boldly, conquering the new creative peaks, discovering previously uncharted Music Worlds, drawing youth attention to the Symphony Music.
The program offered at Sirius will allow the listeners to eagerly dive into the world of Classical Arts, recognizing orchestra performed famous melodies from the very first notes.
Age category 6+
FEATURED IN THE PROGRAM:
Richard Strauss (1864−1949). "Sonnenaufgang" (Sunrise) from 1896 tone poem "Also sprach Zarathustra" (Thus spoke Zarathustra), Op. 30
Edward Elgar (1857−1934). "Enigma" Variations on an Original Theme (1898−99), Op. 36
Theme (Enigma: Andante) — 14. Finale: Allegro presto
Pyotr Ilyich Tchaikovsky (1840−1893). 1878 "Detsky Albom" (Children's Album) Suite of 24 Simple Pieces for piano a-la Schumann, Op. 39
March of the Toy Soldiers — The Sick Doll — The Doll’s Funeral — The New Doll
Alexander Tsfasman (1906−1971). "Football" Fantasy for Orchestra (1940s)
Alexander Tchaikovsky (b. 1946). "Khokkeyny match CSKA-Spartak" (CSKA-Spartak Ice Hockey Match), Orchestral Concert (1980)
Isaak Dunayevsky (1900−1955). "Bega" (The Gallop) music from 1949 movie "Kubanskiye Kazaki" (Cossacks of the Kuban)
Sergei Prokofiev (1891−1953). "Scherzo" and "March" from 1921 opera "The Love for Three Oranges", Op. 33
Ariel Ramírez (1921−2010). "La peregrinación" (Pilgrimage) piece from 1964 folk drama "Navidad Nuestra"(Our Christmas), arr. for orchestra by Paul Mauriat (1925−2006) — famous in USSR & the Russian Federation as "Alouette" (Lark) tune used in "V Mire Zhivotnykh" (In the World of Animals) weekly TV program opening/closing theme in 1974−2009
Vladimir Cosma (b.1940). Music from the 1974 movie "Le Jouet" (The Toy)
Chris Juwens (1946−1998). "Ra-ta-ta" (1970) — famous in USSR/Russia as a tune for "Chto? Gde? Kogda?" (What? Where? When) TV intellectual game series
Steve Jablonsky (b.1970). Music for 2007 "Transformers" science fiction action film
Richard Strauss (1864−1949). "Sonnenaufgang" (Sunrise) from 1896 tone poem "Also sprach Zarathustra" (Thus spoke Zarathustra), Op. 30
Edward Elgar (1857−1934). "Enigma" Variations on an Original Theme (1898−99), Op. 36
Theme (Enigma: Andante) — 14. Finale: Allegro presto
Pyotr Ilyich Tchaikovsky (1840−1893). 1878 "Detsky Albom" (Children's Album) Suite of 24 Simple Pieces for piano a-la Schumann, Op. 39
March of the Toy Soldiers — The Sick Doll — The Doll’s Funeral — The New Doll
Alexander Tsfasman (1906−1971). "Football" Fantasy for Orchestra (1940s)
Alexander Tchaikovsky (b. 1946). "Khokkeyny match CSKA-Spartak" (CSKA-Spartak Ice Hockey Match), Orchestral Concert (1980)
Isaak Dunayevsky (1900−1955). "Bega" (The Gallop) music from 1949 movie "Kubanskiye Kazaki" (Cossacks of the Kuban)
Sergei Prokofiev (1891−1953). "Scherzo" and "March" from 1921 opera "The Love for Three Oranges", Op. 33
Ariel Ramírez (1921−2010). "La peregrinación" (Pilgrimage) piece from 1964 folk drama "Navidad Nuestra"(Our Christmas), arr. for orchestra by Paul Mauriat (1925−2006) — famous in USSR & the Russian Federation as "Alouette" (Lark) tune used in "V Mire Zhivotnykh" (In the World of Animals) weekly TV program opening/closing theme in 1974−2009
Vladimir Cosma (b.1940). Music from the 1974 movie "Le Jouet" (The Toy)
Chris Juwens (1946−1998). "Ra-ta-ta" (1970) — famous in USSR/Russia as a tune for "Chto? Gde? Kogda?" (What? Where? When) TV intellectual game series
Steve Jablonsky (b.1970). Music for 2007 "Transformers" science fiction action film
MAIN STAGE
"SYMPHONIC GAMES"
March
7:00
pm
pm
19
"Sirius spring music festival"
The Omsk Academic Symphony Orchestra is one of Siberia's largest orchestras boasting a history that spans more than half a century. The Orchestra had previously won 1984 All-Russia Symphony Orchestra Review Competition and 2021 "Noty I Kvoty" (The Musical Notes and the Quotas) Russian Union of Composers' Program in Symphony Orchestra or Choir Nominations.
It was established in 1966 on the initiative of Semyon Kogan, who headed its team for over 10 years. The Orchestra was later headed by Viktor Titz (from 1978), Yevgeny Shestakov (1992−2004), Yevgeny Samoylov (2005−2009). It was awarded the Academic title in 1996. Since 2009 it’s being led by the Omsk Oblast Merited Worker of Culture Dmitry Vasilyev.
The evening will open with "Beethoven's Heiligenstadt Testament" Symphonic fragment by Rodion Shchedrin. It’s a personal message and confession of Ludwig van Beethoven, where the composer is speaking of his deteriorating hearing, and feelings of despair and isolation. At the same time he expresses therein own firm determination to resist the illness and continue creating music despite a profound internal and external crisis he is living.
Part 2 will start with a bold and lively Violin Concerto No.4 in D major.
Soloist — the laureate of International competitions, soloist of the Saint Petersburg Music House Andrey Zubenko (violin)
The concert will close by Beethoven's Symphony No. 5 — a grandiose musical tale about human’s struggle with fate and the triumph of the spirit over adversity, a journey "from Darkness to Light".
Age category 6+
It was established in 1966 on the initiative of Semyon Kogan, who headed its team for over 10 years. The Orchestra was later headed by Viktor Titz (from 1978), Yevgeny Shestakov (1992−2004), Yevgeny Samoylov (2005−2009). It was awarded the Academic title in 1996. Since 2009 it’s being led by the Omsk Oblast Merited Worker of Culture Dmitry Vasilyev.
The evening will open with "Beethoven's Heiligenstadt Testament" Symphonic fragment by Rodion Shchedrin. It’s a personal message and confession of Ludwig van Beethoven, where the composer is speaking of his deteriorating hearing, and feelings of despair and isolation. At the same time he expresses therein own firm determination to resist the illness and continue creating music despite a profound internal and external crisis he is living.
Part 2 will start with a bold and lively Violin Concerto No.4 in D major.
Soloist — the laureate of International competitions, soloist of the Saint Petersburg Music House Andrey Zubenko (violin)
The concert will close by Beethoven's Symphony No. 5 — a grandiose musical tale about human’s struggle with fate and the triumph of the spirit over adversity, a journey "from Darkness to Light".
Age category 6+
FEATURED IN THE PROGRAM:
Part 1
Rodion Shchedrin (1932−2025). "Geyligenshtadskoye Zaveshchaniye Betkhovena" (Beethoven’s Heiligenstadt Testament), 2008 Symphonic fragment for Orchestra, Op. 136
Wolfgang Amadeus Mozart (1756−1791). Violin Concerto No. 4 in D major (1775), KV218
Part 2
Ludwig van Beethoven (1770−1827). Symphony No. 5 in C minor (1804−08), Op. 67
Part 1
Rodion Shchedrin (1932−2025). "Geyligenshtadskoye Zaveshchaniye Betkhovena" (Beethoven’s Heiligenstadt Testament), 2008 Symphonic fragment for Orchestra, Op. 136
Wolfgang Amadeus Mozart (1756−1791). Violin Concerto No. 4 in D major (1775), KV218
- Allegro
- Andante cantabile
- Rondeau: Andante grazioso
Part 2
Ludwig van Beethoven (1770−1827). Symphony No. 5 in C minor (1804−08), Op. 67
- Allegro con brio
- Andante con moto
- Allegro
- Allegro
MAIN STAGE
"MOZART.BEETHOVEN.SHCHEDRIN" SYMPHONIC CONCERT
March
7:00
pm
pm
20
"Sirius spring music festival"
Agripina Vaganova Academy of Russian Ballet is one of the oldest ballet schools in the world. It was established back in 1738 by the Empress Anna Ioanovna herself — and ever since it’s maintaining the reputation of being one of the world best.
It is named after the great Agrippina Vaganova, who codified Russian classical ballet, emphasizing strong technique, musicality and expressiveness. This approach fosters dancers with a perfect harmony of power, fluidity and artistry, preparing them for world-class stages.
Currently the Academy is being led by the legendary ballet dancer Nikolay Tsiskaridze, who places special emphasis on the institution’s touring activities.
Age category 6+
It is named after the great Agrippina Vaganova, who codified Russian classical ballet, emphasizing strong technique, musicality and expressiveness. This approach fosters dancers with a perfect harmony of power, fluidity and artistry, preparing them for world-class stages.
Currently the Academy is being led by the legendary ballet dancer Nikolay Tsiskaridze, who places special emphasis on the institution’s touring activities.
Age category 6+
MAIN STAGE
VAGANOVA BALLET ACADEMY. WORLDWIDE PREMIERE OF THE BALLET “BALLADS” BY F. CHOPIN and THE SUITE FROM THE BALLET “DIE PUPPENFEE” (The Fairy Doll) BY J. BAYER
March
6:00
pm
pm
21
"Sirius spring music festival"
Agripina Vaganova Academy of Russian Ballet is one of the oldest ballet schools in the world. It was established back in 1738 by the Empress Anna Ioanovna herself — and ever since it’s maintaining the reputation of being one of the world best.
It is named after the great Agrippina Vaganova, who codified Russian classical ballet, emphasizing strong technique, musicality and expressiveness. This approach fosters dancers with a perfect harmony of power, fluidity and artistry, preparing them for world-class stages.
Currently the Academy is being led by the legendary ballet dancer Nikolay Tsiskaridze, who places special emphasis on the institution’s touring activities.
Age category 6+
It is named after the great Agrippina Vaganova, who codified Russian classical ballet, emphasizing strong technique, musicality and expressiveness. This approach fosters dancers with a perfect harmony of power, fluidity and artistry, preparing them for world-class stages.
Currently the Academy is being led by the legendary ballet dancer Nikolay Tsiskaridze, who places special emphasis on the institution’s touring activities.
Age category 6+
MAIN STAGE
VAGANOVA BALLET ACADEMY. WORLDWIDE PREMIERE OF THE BALLET “BALLADS” BY F. CHOPIN and THE SUITE FROM THE BALLET “DIE PUPPENFEE” (The Fairy Doll) BY J. BAYER
March
6:00
pm
pm
22
The "Sirius" New Year’s Music Festival traditionally opens on December 22, the day of the federal territory. The festival’s program includes classical ballet, New Year’s jazz, opera, operetta, symphonic and chamber music, as well as popular New Year and Christmas melodies.
This year, the Sirius Concert Center will host the premier New Year’s ballet, "The Nutcracker"! This magical fairytale, brought to life with timeless music, will be performed by artists from the Moscow State Academy of Choreography and the All-Russian Youth Symphony Orchestra under Yuri Bashmet.
This year, the Sirius Concert Center will host the premier New Year’s ballet, "The Nutcracker"! This magical fairytale, brought to life with timeless music, will be performed by artists from the Moscow State Academy of Choreography and the All-Russian Youth Symphony Orchestra under Yuri Bashmet.
22.12.25−14.01.2026
New Year’s Music
Festival "Sirius"
Festival "Sirius"
A unique concert series by the St. Petersburg House of Music, featuring young Russian soloists—winners of recent international competitions—as well as Russian participants in the International Tchaikovsky Competition prior to their competitive performances.
The "Russian Musical Team" concerts first took place at Sirius in 2017 and have since become an integral part of the federal territory’s concert season.
The "Russian Musical Team" concerts first took place at Sirius in 2017 and have since become an integral part of the federal territory’s concert season.
11.02.2026
"Team Russia Music"
"Team Russia Music"
Chamber Concert for the 20th Anniversary of the Music House
FEATURED IN THE PROGRAM:
Part 1
Sergei Rachmaninoff (1873−1943). Piano Sonata No. 2, Op. 36, in B-flat minor (revised, 1931) Soloist — laureate of International competitions Maria Varakina (piano)
Enrique Granados (1867−1916). "Quejas, ó la maja y el ruiseñor" (The Maiden and the Nightingale) from the 1909−10 "Goyescas" series (inspired by the works of Francisco Goya)
Alexander Scriabin (1872−1915). Piano Sonata No. 3 in F-sharp minor, Op. 23 (1898)
Allegro drammatico — Allegretto — Andante — Presto con fuoco
Performed by the laureate of International competitions Elizaveta Klyuchereva (piano)
Part 2
Pyotr Ilyich Tchaikovsky (1840−1893). Concert suite from 1892 ballet "Shchelkunchik" (The Nutcraker), [Arr. for Piano by Mikhail Pletnev]
March — Dance of the Sugar Plum Fairy — Tarantella — Intermezzo — Trepak — Chinese Dance — Andante Maestoso
Soloist — laureate of International competitions Vitaly Petrov (piano)
Johannes Brahms (1833−1897). "Variationen und Fuge über ein Thema von Händel" (Variations and Fugue on a Theme by Handel, 1861) in B-flat major, Op. 24
Performed by the laureate of International competitions Dmitry Fedenko (piano)
Age category 6+
FEATURED IN THE PROGRAM:
Part 1
Sergei Rachmaninoff (1873−1943). Piano Sonata No. 2, Op. 36, in B-flat minor (revised, 1931) Soloist — laureate of International competitions Maria Varakina (piano)
Enrique Granados (1867−1916). "Quejas, ó la maja y el ruiseñor" (The Maiden and the Nightingale) from the 1909−10 "Goyescas" series (inspired by the works of Francisco Goya)
Alexander Scriabin (1872−1915). Piano Sonata No. 3 in F-sharp minor, Op. 23 (1898)
Allegro drammatico — Allegretto — Andante — Presto con fuoco
Performed by the laureate of International competitions Elizaveta Klyuchereva (piano)
Part 2
Pyotr Ilyich Tchaikovsky (1840−1893). Concert suite from 1892 ballet "Shchelkunchik" (The Nutcraker), [Arr. for Piano by Mikhail Pletnev]
March — Dance of the Sugar Plum Fairy — Tarantella — Intermezzo — Trepak — Chinese Dance — Andante Maestoso
Soloist — laureate of International competitions Vitaly Petrov (piano)
Johannes Brahms (1833−1897). "Variationen und Fuge über ein Thema von Händel" (Variations and Fugue on a Theme by Handel, 1861) in B-flat major, Op. 24
Performed by the laureate of International competitions Dmitry Fedenko (piano)
Saint Petersburg Music House Artistic Director — People’s Artist of Russia, Professor Sergei Roldugin
CHAMBER HALL
"Team Russia Music. PIANO MARATHON"
February
7:00 pm
11
Performances by leading soloists and teachers of the St. Petersburg House of Music.
The project launches in the fall of 2025 to coincide with the 20th anniversary of the House of Music and the opening of the new Sirius Concert Center.
Over the two decades of the House of Music’s existence, the House of Music’s leading soloists have become masters and teachers, going from their first concerts with orchestras and intense masterclasses to being awarded the title of Honored Artist of the Russian Federation, teaching their own classes, and playing to sold-out concert halls.
The project launches in the fall of 2025 to coincide with the 20th anniversary of the House of Music and the opening of the new Sirius Concert Center.
Over the two decades of the House of Music’s existence, the House of Music’s leading soloists have become masters and teachers, going from their first concerts with orchestras and intense masterclasses to being awarded the title of Honored Artist of the Russian Federation, teaching their own classes, and playing to sold-out concert halls.
18.02.2026
"Music Masters"